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Free for Commercial Use

Sans Normal Yaka 6 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Metcon' by Comicraft, 'Creata' by Ivan Petrov, 'Goldplay' by Latinotype, 'Meccanica' by Monotype, 'Jindo' by Nine Font, and 'Carmen Sans' by StudioJASO (names referenced only for comparison).

Keywords: posters, packaging, headlines, branding, signage, handmade, rugged, friendly, casual, bold, handmade feel, tactile print, approachability, display impact, textured, blunt, chunky, informal, compact.


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A heavy, rounded sans with a distinctly hand-rendered texture. Strokes are thick and largely monolinear, with subtly wobbly outlines and slightly flattened terminals that suggest dry brush or ink-rolled printing. Counters are open and generous, and curves (C, O, S) read as soft and bulbous rather than geometric-perfect. Proportions are compact with sturdy verticals and broad shoulders, while spacing appears intentionally irregular enough to retain a handcrafted rhythm without collapsing legibility.

Works best for short-to-medium headlines where its texture and weight can be appreciated: posters, product packaging, café/market signage, and brand marks that want an artisanal or handmade voice. It can also serve as display text in editorial or social graphics, but its rough edges and heavy color make it less suited to long-form body copy at small sizes.

The overall tone is approachable and earthy, with a tactile, analog feel that reads more human than mechanical. It conveys warmth and a bit of grit—playful and confident rather than polished—making it feel at home in casual, character-driven settings.

The design appears intended to blend the clarity of a rounded sans with the imperfect charm of hand printing, delivering strong impact while keeping an informal, human cadence. Its construction favors immediate readability and personality over precision, suggesting a display-forward font meant to add tactile character to modern layouts.

The texture is consistent across uppercase, lowercase, and numerals, giving the set a unified stamped/printed personality. Diacritics aren’t shown; punctuation in the sample appears simple and sturdy, matching the blunt, rounded construction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸