Sans Faceted Ilby 4 is a very light, wide, monoline, upright, normal x-height font.
Keywords: ui labels, signage, headlines, posters, tech branding, futuristic, technical, digital, sci-fi, geometric, geometric system, tech aesthetic, display clarity, modular construction, octagonal, angular, chamfered, stencil-like, modular.
This typeface is built from thin, monoline strokes with consistent terminals and a distinctly faceted construction. Curves are largely replaced by straight segments and chamfered corners, producing octagonal bowls and polygonal counters (notably in O/0 and rounded lowercase forms). Letterforms maintain a clean, open structure with generous interior space and a measured rhythm; capitals are squarish and compact while lowercase remains clear and slightly more open. The overall drawing feels modular and engineered, with occasional notch-like joins that suggest segmented strokes rather than continuous curves.
Well-suited to short to medium-length text where a technical voice is desired, such as UI/UX labels, dashboards, wayfinding, product markings, and sci-fi themed titles. Its light stroke and angular detailing also make it effective for large-size applications like posters, motion graphics, and display branding where the faceted construction can be appreciated.
The faceted geometry and crisp, lightweight linework create a forward-looking, tech-oriented tone. It reads as precise and utilitarian, with a subtle retro-digital flavor that evokes instrumentation, interface graphics, and schematic labeling rather than editorial warmth.
The design appears intended to translate a geometric, faceted concept into a practical sans with systematic corner cuts and polygonal curves. The consistent stroke treatment and modular joins suggest an emphasis on repeatable shapes and a machine-made aesthetic geared toward contemporary tech and futuristic display settings.
Numerals and many round-derived letters share a consistent multi-sided silhouette, reinforcing a unified system. Diacritics are not shown; punctuation in the sample maintains the same angular logic, with round dots rendered as simple circles that contrast the faceted letter bowls.