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Free for Commercial Use

Inline Asgu 3 is a bold, narrow, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, packaging, logos, kids media, playful, handmade, retro, quirky, cartoonish, expressiveness, signage feel, decorative depth, hand-drawn charm, rounded, bouncy, markerlike, irregular, chunky.


Free for commercial use
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A compact, heavy display face built from rounded, slightly wobbly strokes with a consistent inline cut that gives each letter a carved, dimensional feel. Terminals are mostly blunt and softened, and curves tend toward oval shapes with occasional asymmetry that reads as hand-drawn rather than geometric. Proportions vary modestly from glyph to glyph, creating a lively rhythm, while counters stay fairly open for an inline style. Uppercase forms are stout and simplified, and the lowercase keeps a straightforward, single-storey construction where applicable, supporting quick recognition despite the decorative interior line.

Best suited to short display settings where the inline detail can be appreciated—posters, headers, product packaging, badges, and brand marks. It also works well for playful editorial callouts or children’s and entertainment-oriented graphics, while long passages of small text may lose the interior line detail.

The overall tone is friendly and mischievous, with a vintage sign-painting and comic-title energy. The inline detail adds a bit of theatrical flair, making the alphabet feel animated and personable rather than formal or corporate.

The design appears intended to deliver an approachable, hand-crafted display voice with added depth from an inline incision, echoing painted lettering and retro showcard styles. It prioritizes character and impact over strict regularity, aiming for a lively, illustrative presence in titles and branding.

The inline channel is generally centered within the strokes and remains visible even in tighter joins, contributing to a consistent “engraved” effect across letters and numerals. The uneven stroke edges and slight leaning of curves introduce an organic texture that becomes more pronounced at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸