Print Wekop 13 is a regular weight, very narrow, medium contrast, italic, short x-height font.
Keywords: posters, packaging, invites, headlines, quotes, friendly, playful, casual, lively, approachable, human touch, informality, cheerful tone, compact display, handwritten realism, condensed, hand-drawn, monoline-ish, rounded, bouncy.
A condensed, hand-drawn print style with a consistent rightward slant and subtly irregular stroke flow. Strokes feel pen-like, with gentle swelling at curves and tapered terminals that mimic quick, confident writing rather than constructed outlines. Letterforms are tall and narrow with simple, open counters; curves are soft and slightly asymmetric, and joins show natural wobble that keeps the rhythm lively without becoming messy. The lowercase appears compact with a relatively small x-height and long, elastic ascenders and descenders, while numerals match the same narrow, handwritten cadence.
Works well for short-to-medium display text such as posters, invitations, greeting cards, packaging callouts, and quote graphics where a casual, handwritten voice is desirable. It can also suit branding accents and social media headlines, especially where space is limited and a tall, condensed look helps fit more characters without feeling rigid.
The overall tone is informal and personable, with a breezy, upbeat character that reads as conversational and human. Its narrow, leaning stance adds energy and a touch of whimsy, making text feel light, friendly, and spontaneous rather than formal or technical.
Likely designed to capture the immediacy of quick marker or felt-tip lettering in a clean, readable print form. The goal appears to be an energetic, friendly handwritten aesthetic that remains consistent enough for repeated use across display settings.
Spacing and widths vary naturally from glyph to glyph, reinforcing the hand-rendered feel and giving words a slightly syncopated texture. The design stays legible in phrases thanks to clear silhouettes and open shapes, but the playful irregularities are most noticeable in longer lines where the handwritten rhythm becomes part of the voice.