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Serif Other Wuge 5 is a very bold, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, editorial display, industrial, poster, vintage, authoritative, theatrical, impact, branding, display drama, vintage signage, decorative texture, stencil-like, split forms, ink traps, bracketed serifs, sharp apexes.


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A very heavy, high-contrast serif design with a distinctive split-and-notch construction running through many stems and bowls, creating a stencil-like, carved impression. Vertical strokes dominate, with narrow internal counters and frequent teardrop/rounded terminals where the cuts open up, while serifs are small, sharp, and often bracketed into the main strokes. Curves (C, G, O, S) show deep internal cut-ins and asymmetric apertures, and several letters adopt condensed, poster-style proportions with strong vertical rhythm. The overall texture is dark and emphatic, with conspicuous internal separations that stay consistent across capitals, lowercase, and numerals.

Best suited to large-scale display settings such as posters, dramatic headlines, title treatments, packaging, and logo wordmarks where its cut-in details can be appreciated. It can work for short editorial display lines, pull quotes, or signage-style compositions when set with comfortable spacing to prevent the dense black shapes from clumping.

The tone is bold and declarative, mixing a vintage display sensibility with an industrial, engineered edge. The split shapes and sculpted counters read as theatrical and slightly ominous, evoking signage, headlines, and decorative titling rather than quiet text typography.

The design appears intended to deliver maximum impact with a signature decorative construction: a serifed, poster-forward letterform system that uses consistent internal splits to create a recognizable, emblematic texture. It prioritizes character and presence over neutrality, aiming for strong brandability and attention-grabbing titling.

In the sample text, word shapes remain legible at large sizes, but the internal cuts and tight counters make spacing and punctuation feel dense; it benefits from generous tracking and line spacing. Numerals and round letters carry the same cut-through motif, giving a cohesive, branded look across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸