Sans Normal Lukar 13 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Ministry' by Device, 'Allrounder Grotesk Condensed' by Identity Letters, 'Candid' by Lucas Tillian, 'Pragmatica' by ParaType, and 'Lyu Lin' by Stefan Stoychev (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, assertive, energetic, modern, punchy, impact, speed, attention, modernity, branding, slanted, compact, geometric, rounded, blocky.
A heavy, slanted sans with broad, rounded bowls and compact internal counters. Strokes are consistently thick with minimal modulation, producing a dense, high-impact texture. Curves are smooth and circular in letters like O/C/G, while diagonals in A/K/V/W/X and the angled terminals create a forward-leaning rhythm. Forms are generally closed and sturdy, with short apertures and tight joins that emphasize solidity over delicacy.
Best suited for short-to-medium headline settings where impact and momentum matter—sports graphics, event promotions, product packaging, and bold editorial callouts. It can also work for prominent UI labels or signage when strong contrast against the background is available, but its dense counters and heavy color make it less ideal for small, extended body text.
The overall tone is fast, forceful, and contemporary, with a strong sense of motion from the consistent slant. Its weight and compact counters give it a confident, attention-grabbing voice suited to bold messaging and energetic branding.
Designed to deliver maximum emphasis with a streamlined, geometric sans structure and a pronounced slant that suggests speed. The intent appears focused on creating a compact, powerful display voice that stays clean and contemporary while remaining highly legible at larger sizes.
Numerals are wide and robust, matching the letterforms’ rounded geometry and maintaining a uniform color in text. The lowercase shows single-storey construction in letters like a and g, reinforcing a straightforward, modern feel. In longer settings, the dense shapes read as deliberately compact and emphatic rather than airy or conversational.