Outline Lili 2 is a light, normal width, low contrast, upright, short x-height font.
Keywords: headlines, posters, logotypes, signage, event promos, art deco, jazz age, glamour, playful, retro, display impact, retro styling, signage feel, ornamental texture, monoline, geometric, inline, segmented, decorative.
A decorative outlined design built from thin, monoline contours with frequent inline splits and small breaks that create a segmented, neon-tube effect. Forms lean geometric, with rounded bowls and arcing curves in C/G/O/Q and crisp, straight-sided construction in E/F/H/I/N. Counters are generously open and the outlines stay consistent in thickness, while many letters use parallel strokes or doubled contours that emphasize rhythm and give the alphabet a patterned, ornamental cadence. Lowercase echoes the same geometry with compact bodies and simplified terminals, and the numerals follow the same broken-outline logic for a cohesive set.
Ideal for display settings such as posters, headlines, branding marks, menus, and signage where its outlined, segmented construction can be appreciated at larger sizes. It works well for retro-themed promotions, nightlife/event materials, and short phrases that benefit from a distinctive, ornamental texture.
The overall tone feels distinctly vintage and theatrical, evoking marquee signage, cocktail-era elegance, and a lighthearted show-poster spirit. The repeated breaks and doubled lines add sparkle and motion, giving text a stylish, festive energy rather than a strictly utilitarian voice.
This font appears designed to translate Art Deco-inspired geometry into an outlined, inline-broken system that feels like illuminated tubing or etched lettering. The consistent monoline structure and repeated segmentation suggest an intention to create a recognizable decorative voice with strong rhythm across the full alphanumeric set.
The design reads best when given room to breathe: the interior gaps and multiple contours are a core feature, so tighter settings can visually fuse details. Round letters and diagonals (such as V/W/X/Y) become especially expressive because the parallel strokes create strong zig-zag patterns.