Sans Normal Danos 14 is a light, narrow, low contrast, upright, normal x-height font visually similar to 'Humanist 777' by Bitstream and 'Frutiger', 'Frutiger Arabic', 'Frutiger Next Paneuropean', 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype (names referenced only for comparison).
Keywords: ui text, editorial, presentations, signage, branding, modern, clean, neutral, minimal, clarity, versatility, modern utility, restraint, monoline, open apertures, generous spacing, rounded terminals, geometric.
A clean monoline sans with simple, circular construction and smooth, continuous curves. Strokes are even and lightly drawn, with rounded joins and restrained terminals that keep the texture airy. Capitals are straightforward and geometric, with generous counters and open forms; the lowercase follows the same rational rhythm, and the overall set reads with a calm, consistent cadence. Numerals match the letterforms in simplicity, using round bowls and clear, uncluttered silhouettes.
This style performs well in interface labeling, dashboards, and product UI where a quiet, modern sans is needed. It also suits editorial subheads, presentations, and wayfinding systems that benefit from open counters and a clean, consistent rhythm. In branding, it works best for contemporary identities that want restraint and clarity rather than a highly distinctive display look.
The font conveys a modern, neutral voice—quietly contemporary rather than expressive. Its light, open shapes feel approachable and uncluttered, supporting a refined, minimalist tone suited to understated design.
The design intention appears to be a straightforward, contemporary sans optimized for clear everyday reading and flexible use across digital and print contexts. Its geometry and even stroke behavior aim for neutrality, consistent texture, and dependable legibility in mixed-case settings.
The family shows clear, conventional distinctions between similar shapes (for example I/J and O/Q), prioritizing clarity over stylization. Round letters (C, G, O, Q, e, o) emphasize an elliptical, geometric bias, while diagonals (V, W, X, Y) remain crisp and balanced, keeping the overall color even across lines of text.