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Sans Other Utna 5 is a bold, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, packaging, app titles, techy, playful, retro, industrial, futuristic, distinctiveness, sci-fi tone, modular system, display impact, branding voice, rounded, modular, stencil-like, geometric, soft corners.


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A heavy, rounded sans built from modular strokes with soft corners and frequent deliberate breaks. Many letters read as segmented or stencil-like, with small gaps and cut-ins that interrupt bowls and joins, creating a constructed, mechanical rhythm. Curves are simplified into rounded terminals and squared-off arcs, and counters tend to be open or partially enclosed, giving the alphabet an airy, engineered feel despite the dense stroke weight. Overall proportions are fairly compact with a consistent stroke presence, while widths vary by character to maintain recognizable silhouettes.

Best suited to display settings where its segmented shapes can be appreciated—headlines, posters, branding marks, packaging, and UI titles for tech or entertainment contexts. It can also work for short callouts and signage-style phrases, but is less ideal for long-form reading where the intentional breaks may slow scanning.

The fragmented construction and rounded geometry produce a distinctly tech-forward, game-like tone with a retro-futurist edge. Its letterforms feel experimental and industrial, balancing friendliness from the soft corners with a schematic, coded personality from the segmented joins.

The design appears intended to reimagine a straightforward sans through a modular, stencil-inspired construction, emphasizing a futuristic/industrial voice while keeping a rounded, approachable finish. The consistent use of gaps and rounded terminals suggests a focus on distinctive texture and instant recognizability in display typography.

Several glyphs rely on distinctive internal cutouts and discontinuities, which heighten style but can reduce clarity at small sizes or in dense text. The font’s rhythm is driven more by repeating stroke modules and gaps than by traditional continuous curves, making it visually engaging in short bursts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸