Sans Faceted Omga 5 is a regular weight, narrow, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, terminal ui, data tables, coding, signage, technical, retro, industrial, utilitarian, game-like, geometric system, space efficiency, tech aesthetic, ui clarity, angular, chamfered, octagonal, geometric, square-shouldered.
This typeface is built from straight, monoline strokes with consistent chamfered corners that substitute for curves, producing an octagonal, faceted silhouette throughout. Proportions run compact and tall, with tight inner counters and a restrained, geometric rhythm. Terminals are square-cut or beveled, diagonals are crisp, and bowls are constructed from short planar segments rather than smooth arcs, giving letters a pixel-adjacent, engineered feel. The numerals and uppercase maintain the same angular logic, while lowercase forms stay simple and schematic to preserve uniformity across text.
It works well for interface labels, HUD/overlay text, tables, and other contexts where a compact, engineered look supports the content. The distinctive angular construction also suits logos, headers, and display applications that want a retro-tech or industrial impression, and it can be effective in signage or wayfinding where a crisp, stenciled-adjacent geometry is desired.
The overall tone feels technical and slightly retro, evoking industrial labeling, early computer interfaces, and arcade or sci‑fi UI graphics. Its sharp facets and rigid geometry read as precise and no-nonsense, with an understated futuristic edge rather than a friendly or handwritten voice.
The design appears intended to translate a faceted, machined geometry into an everyday text face, keeping stroke weight steady and forms schematic for consistency. By replacing curves with planar cuts, it aims to feel precise and efficient while remaining readable in short-to-medium text settings.
Faceting is especially apparent where curves would normally dominate (C, G, O, S, 0, 8), creating a consistent planar language. The narrow set and tight counters make the design feel efficient and space-conscious, while the uniform stroke weight keeps the color even in longer passages.