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Free for Commercial Use

Slab Contrasted Nome 8 is a bold, narrow, high contrast, upright, normal x-height font.

Keywords: posters, headlines, signage, packaging, logos, western, circus, rustic, playful, vintage, display impact, vintage poster, wood-type feel, distressed texture, decorative branding, bracketed, blocky, worn, inked, decorative.


Free for commercial use
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A heavy, compact slab-serif design with pronounced thick–thin interplay and chunky, bracketed terminals. The letterforms are constructed from broad vertical stems and rounded bowls, then cut with irregular notches and soft bite-like indents that create a distressed, ink-trap-like texture. Curves are full and bulbous, joins are sturdy, and counters tend to be small, giving the face strong color and punch at display sizes. Width varies noticeably between glyphs, with a generally tight, condensed rhythm and short extenders that keep lines feeling dense and steady.

Best suited to display typography such as posters, event titles, storefront or wayfinding-style signage, and brand marks that want a vintage, Western, or show-poster flavor. It can also work on packaging and labels where bold, textured letterforms help create personality, especially when set in short phrases rather than long passages.

The overall tone evokes old poster lettering—part saloon signage, part circus broadside—mixing ruggedness with a friendly, theatrical charm. Its roughened edges and chunky slabs suggest something handmade and timeworn rather than polished or corporate, leaning into nostalgic, entertainment-oriented energy.

The design appears intended to deliver an attention-grabbing slab-serif with a deliberate distressed finish, referencing historical wood-type and ornamental poster lettering. The goal seems to be strong impact with a lively, worn texture that adds character and period atmosphere.

The distressed detailing is consistent across uppercase, lowercase, and numerals, producing a lively silhouette that can shimmer in smaller settings. Spacing appears tight and the dark stroke mass is dominant, so the face reads best when given room and used where texture is a feature, not a distraction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸