Font Hero

Free for Commercial Use

Outline Ofwi 5 is a very light, wide, low contrast, upright, tall x-height font.

Keywords: headlines, logos, posters, game ui, tech branding, techno, retro, arcade, mechanical, modular, futuristic display, geometric system, schematic look, arcade feel, square, angular, stencil-like, monoline, geometric.


Free for commercial use
Customize the font name

A modular, geometric outline design built from straight strokes and right-angle corners, with occasional chamfered cuts that add a slightly mechanical, stencil-like feel. Letterforms are drawn with a consistent, very thin contour and open interiors, producing a crisp “wireframe” look. Proportions skew broad and blocky, with a large x-height and simple, squared counters; curves are largely avoided in favor of rectilinear construction. Spacing and widths vary by glyph, but the overall rhythm stays uniform due to consistent stroke treatment and repeated rectangular motifs.

Best suited to large-scale display settings such as headlines, posters, branding marks, and on-screen UI titles where the outline structure can remain clean and legible. It also works well for futuristic signage, product packaging accents, and interface labels that benefit from a crisp, technical aesthetic.

The font reads as futuristic and game-influenced, evoking arcade UI, sci‑fi labeling, and technical diagrams. Its hollow outline construction gives it a lightweight, schematic tone—more display-oriented than text-driven—while the squared geometry adds an assertive, industrial edge.

The design appears intended to deliver a bold, constructed look through rectilinear outlines and modular geometry, prioritizing a distinctive display voice over continuous reading. Its consistent contour and angular system suggest a focus on reproducibility and a recognizable techno/arcade identity.

Many glyphs incorporate small interior notches and stepped terminals, which contribute to a digital, pixel-adjacent texture without being strictly pixel-based. The outline-only rendering emphasizes negative space; at smaller sizes the thin contour may visually break up, while at larger sizes the geometric detailing becomes a key stylistic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸