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Free for Commercial Use

Blackletter Bese 2 is a light, normal width, high contrast, upright, short x-height font.

Keywords: logotypes, headlines, packaging, posters, invitations, medieval, ornate, formal, dramatic, ceremonial, historical evocation, ceremonial tone, decorative display, manuscript feel, calligraphic, angular, broken, flourished, sharp serifs.


Free for commercial use
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This font presents a calligraphic blackletter structure with broken strokes, angular joins, and crisp wedge-like terminals. Stems are narrow and vertical, contrasted by thin connecting hairlines and small interior counters that create a dark-and-light rhythm across words. Capitals are more decorative, featuring asymmetric flourishes and curved entry/exit strokes, while the lowercase maintains a tighter, more textlike cadence with pointed feet and intermittent diamond-like notches. Numerals follow the same pen-driven logic, with tapered strokes and slightly irregular, handwritten widths that add texture to lines of text.

It works best for display typography such as logotypes, titles, and headline treatments where the ornamental capitals and broken-stroke texture can be appreciated. It also suits packaging, posters, certificates, and event invitations that benefit from a historical or formal atmosphere. For extended text, it will be more successful at larger sizes and with generous tracking to keep counters from closing in.

The overall tone is medieval and ceremonial, evoking manuscript lettering, heraldic titles, and traditional craft. Its sharp rhythm and ornamental capitals give it a dramatic, authoritative voice suited to content that aims to feel historic, solemn, or ritualistic rather than casual or modern.

The design appears intended to translate pen-made blackletter into a consistent digital font with expressive, embellished capitals and a compact, traditional lowercase. Its goal is to deliver an immediately recognizable manuscript feel with strong contrast and decorative detail for impactful display use.

The texture becomes noticeably darker in longer passages due to compact counters and frequent vertical strokes, so spacing and size will strongly affect readability. Capitals carry prominent personality and can dominate a line, making the typeface especially impactful in short settings where those forms can be showcased.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸