Sans Superellipse Udlid 11 is a bold, normal width, monoline, italic, tall x-height font.
Keywords: headlines, branding, sportswear, ui labels, posters, futuristic, technical, sporty, sleek, dynamic, speed emphasis, tech styling, display impact, modern utility, rounded corners, superelliptic, slanted, extended terminals, high-contrast corners.
A slanted, monoline sans built from rounded-rectangle (superelliptic) geometry, with squared-off curves and consistently softened corners. Strokes stay even and sturdy, while many joins and terminals are cut with angled, forward-leaning shears that reinforce motion. Counters tend toward squarish ovals, apertures are relatively open, and the overall construction feels engineered and modular. The uppercase is compact and sturdy, while the lowercase shows simplified, modern forms that keep the rhythm tight and clean.
Best suited to display settings where a fast, modern voice is desired—headlines, brand marks, product identities, esports/sports graphics, and packaging. It can also work for short UI labels and dashboards where compact, legible shapes and consistent alphanumeric styling matter, though the strong slant may be less ideal for long-form text.
The font projects speed and precision, with a distinctly contemporary, tech-forward tone. Its rounded-square anatomy reads friendly enough to feel approachable, yet the crisp angled cuts keep it sharp and performance-oriented. Overall it lands in a futuristic/sporty space—clean, confident, and purpose-built.
The design appears intended to blend geometric friendliness with high-speed dynamism: superelliptic forms supply consistency and softness, while angled cuts and a pronounced slant introduce tension and motion. The result is a contemporary sans optimized for impactful, technology- and performance-adjacent communication.
Distinctive lettershapes include a rounded, boxy O/0; a Q with an integrated diagonal tail; and diagonally trimmed terminals on forms like C, S, and t that create a consistent forward thrust. Numerals match the same superelliptic logic, helping mixed alphanumeric strings look cohesive. The slant is substantial, so spacing and word shape feel energetic rather than neutral.