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Free for Commercial Use

Distressed Segy 11 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Hanley Pro' by District 62 Studio, 'Aspira' by Durotype, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, packaging, album art, stickers, grunge, handmade, playful, rowdy, retro, tactile impact, diy texture, loud display, analog feel, brushy, blotchy, roughened, inked, chunky.


Free for commercial use
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A heavy, all-caps-and-lowercase display face with chunky, simplified letterforms and pronounced roughening along edges and counters. Strokes look brush- or marker-driven, with uneven terminals, occasional notches, and small gaps that mimic worn ink or imperfect printing. Curves are broadly rounded, joins are sturdy, and the overall rhythm is lively due to subtle shape wobble and texture variation from glyph to glyph. Numerals match the same dense color and distressed treatment, keeping a consistent, poster-like presence.

Well-suited to bold headlines, posters, and large-scale typographic statements where the rough texture can be appreciated. It also fits packaging, labels, and merch-style graphics that benefit from a handmade or worn-ink feel, as well as album art and event promo where a punchy, gritty tone is needed.

The texture and bold silhouettes give the font a gritty, handmade attitude that feels energetic and informal. Its imperfect inking and slightly rugged shapes suggest DIY culture and a tactile, analog sensibility rather than polished corporate typography.

The design appears intended to deliver maximum impact with a tactile, distressed surface—combining simple, sturdy letter construction with deliberate roughness to evoke brushwork and imperfect print artifacts.

The distressed treatment is strong enough to become a primary design feature, especially in tight letterspacing or smaller sizes where the rough edges can visually thicken forms. It reads best when given breathing room and used where texture is desirable rather than minimized.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸