Sans Other Sola 3 is a light, wide, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, game ui, sci-fi titles, tech branding, digital displays, tech, retro, modular, minimal, architectural, modular system, digital feel, technical voice, geometric branding, display clarity, geometric, squared, angular, rectilinear, outline-like.
A geometric, rectilinear sans built from straight, uniform strokes with crisp 90° corners and a consistently squared construction. Counters and bowls tend toward boxy, open forms, and curves are largely replaced by angled joins or chamfer-like turns, giving many letters a schematic, drawn-with-a-ruler feel. Proportions read generously wide with ample internal space, and the overall rhythm is evenly paced and grid-aligned, reinforcing a systematic, modular appearance across capitals, lowercase, and numerals.
Well-suited for interface labels, HUD-style graphics, and compact technical typography where a structured, gridlike voice is desired. It also fits sci‑fi or retro-computing titles, game UI, and tech-themed branding or packaging where distinctive geometric letterforms help establish an engineered, digital atmosphere.
The tone feels technical and retro-futuristic, reminiscent of early computer terminals, digital signage, and simplified blueprint lettering. Its restrained, angular forms project precision and a utilitarian clarity, while the blocky geometry adds a distinctive sci‑fi edge.
Likely designed to translate a modular, grid-based logic into a readable sans, emphasizing uniform construction, clean alignment, and a distinctive squared silhouette. The intention appears to be a functional display face that evokes digital/technical contexts while staying consistent across a full basic alphanumeric set.
The face maintains strong visual consistency through repeated square motifs and uniform stroke behavior, producing a crisp, constructed texture in running text. Diagonal strokes are used sparingly but decisively (notably in letters like N, V, W, and Z), and several glyphs lean into simplified, schematic forms that prioritize a cohesive system over traditional humanist detailing.