Sans Other Ubnu 11 is a regular weight, wide, medium contrast, upright, tall x-height font.
Keywords: fantasy titles, horror posters, game ui, book covers, brand marks, gothic, mystical, dramatic, eerie, storybook, atmospheric display, gothic edge, fantasy branding, dramatic titling, spiky, angular, tapered, calligraphic, pointed.
This typeface uses a clean, sans-like construction that’s been sharpened into pointed terminals and blade-like stroke endings. Curves are controlled and slightly pinched, while verticals and diagonals often taper into fine tips, creating a sense of cut or carved forms rather than rounded, geometric ones. Counters are generally open and legible, but the rhythm is intentionally irregular in places, with asymmetric joins and occasional hook-like details that give the letters a drawn, expressive texture. The overall silhouette reads crisp and narrow at the terminals, with strong vertical presence and consistent spacing that still allows character-to-character variation in width.
It’s well suited to display uses where mood and silhouette matter: fantasy or horror titling, game logos and UI headers, book and chapter titles, themed packaging, and event posters. It can work for short passages at larger sizes, but its sharp detailing and lively shapes are most effective in headings, pull quotes, and logotype-style settings.
The font projects a dark, fantastical tone—more occult and medieval-leaning than modern or friendly. Its sharp terminals and slightly calligraphic tension suggest spellbook titles, gothic storytelling, and ominous atmosphere, while remaining readable enough to feel like designed display typography rather than distressed lettering.
The design appears intended to fuse a straightforward sans framework with gothic, calligraphic edge work—delivering an atmospheric, spiked display voice without relying on heavy ornament or blackletter density. The goal seems to be immediate thematic signaling (dark/fantasy) while preserving usable letter clarity for titles and branding.
The alphabet shows a consistent system of pointed terminals across caps, lowercase, and numerals, which helps unify the set even when individual glyphs introduce quirky, ornamental inflections. Numerals follow the same tapered, knife-edge logic, keeping the overall color cohesive in mixed text.