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Free for Commercial Use

Sans Superellipse Okmuh 7 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Bebas Neue Semi Rounded' by Dharma Type and 'Robusta' by Tilde (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, retro, playful, friendly, punchy, quirky, display impact, friendly geometry, retro flavor, compact fit, rounded, condensed, soft corners, monoline, compact.


Free for commercial use
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A compact, rounded sans with a distinctly superelliptical skeleton: bowls and counters feel like softened rectangles, and terminals resolve into broad radiused corners rather than sharp cuts. Strokes are monoline and substantial, giving the letters a solid, poster-like color while keeping counters open and readable. The proportions are tall and condensed with tight interior spacing; curves are controlled and slightly squarish, and joins stay smooth and simplified. Details like the single-storey “a” and “g,” the rounded-shoulder “r,” and the gently notched forms in letters like “M/W” reinforce a consistent, geometric construction.

Best suited for headlines, posters, packaging, and brand marks where a bold, compact word shape is an advantage. It also works well for signage and short UI labels when you want a friendly geometric voice, but it’s less ideal for long-form text due to its dense color and condensed spacing.

The overall tone is upbeat and approachable, with a mid-century display vibe that feels both retro and contemporary. Its softened geometry reads friendly rather than technical, while the condensed build adds energy and urgency—well suited to attention-grabbing, informal messaging.

The design appears intended to deliver a strong display presence through tall, compact proportions and rounded-superellipse construction, combining geometric clarity with softened corners for a welcoming, slightly nostalgic character.

The font maintains a steady rhythm and strong silhouette in mixed-case settings, with punctuation and numerals matching the same rounded-rectangle logic. At larger sizes the distinctive squarish curves become a key personality cue, while at smaller sizes the heavy weight and tight proportions can make lines feel dense.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸