Sans Superellipse Onmos 1 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'Sweet Square' by Sweet (names referenced only for comparison).
Keywords: ui titles, tech branding, signage, packaging, headlines, futuristic, technical, clean, confident, industrial, modernize, systematize, futurism, clarity, branding, rounded corners, squared curves, extended, modular, geometric.
A geometric sans built from squared curves and rounded-rectangle bowls, with consistent monoline strokes and generous widths. Corners are softly radiused while inner counters tend to stay rectilinear, creating a crisp, engineered texture. Terminals are mostly flat and horizontal/vertical, and the overall rhythm feels modular, with many forms constructed from straight stems plus rounded corners. Numerals echo the same superelliptical construction, with open, boxy counters and compact internal spacing that stays clear at display sizes.
Well-suited for short to medium-length display settings where a clean, futuristic voice is desired—app or device UI titles, product branding, wayfinding, sports/tech packaging, and poster headlines. It can also work for subheads and captions when ample tracking and line spacing are available, as the wide proportions and squared curves are most impactful when given room.
The tone is modern and tech-forward, combining friendliness from the rounded corners with an assertive, industrial precision. Its wide stance and squared geometry evoke interfaces, instrumentation, and contemporary sci‑fi branding rather than editorial warmth.
The design appears intended to deliver a contemporary, interface-friendly sans that balances strict geometry with approachable rounding. By building many glyphs from rounded rectangles and flat terminals, it prioritizes clarity, consistency, and a distinctive tech signature in logos and display typography.
A few key shapes lean distinctly geometric: the uppercase O/Q are rounded rectangles, and the G and S use segmented curves that read as deliberately constructed rather than calligraphic. Diagonals (A, V, W, X, Y) are straight and sharp, contrasting with the softened corners elsewhere for a purposeful, engineered feel.