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Sans Faceted Idgod 6 is a very light, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, packaging, editorial, minimal, futuristic, airy, precise, elegant, modernization, geometric clarity, display impact, distinctive texture, geometric, monoline, faceted, angular, crisp.


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A spare monoline design built from straight segments and crisp joins, with curves frequently resolved into shallow angles and planar facets. Strokes stay consistently thin and even, producing an open, delicate color with generous counters and wide interior space. Proportions lean geometric: round forms are slightly polygonal, diagonals are clean and measured, and terminals are blunt without flaring. Overall spacing reads roomy and controlled, giving the letters a light, drawn-wire presence.

Best suited to display settings such as headlines, posters, brand marks, and packaging where its thin strokes and faceted geometry can stay crisp. It also works well for editorial pull quotes or short UI/wayfinding accents when set at larger sizes with comfortable spacing. For extended text, it is more effective as a stylistic accent than as a primary reading face.

The faceted geometry and hairline strokes create a cool, modern tone that feels technical and design-forward rather than expressive or rustic. Its restrained construction suggests a sleek, futuristic mood, with an elegant, almost architectural calm. The look is refined and understated, emphasizing precision and cleanliness.

The design appears intended to translate geometric sans lettering into a faceted, polygonal construction that feels contemporary and engineered. Its consistent monoline structure and angularized rounds prioritize a clean, modern identity and a distinctive signature texture over traditional text robustness.

Distinctive faceting is visible across rounded letters and figures, giving them a cut-stone or folded-paper effect. The alphabet maintains a consistent geometric logic across capitals, lowercase, and numerals, with a notably airy texture that benefits from ample letterspacing. Because the strokes are extremely thin, the style reads best when not competing with dense backgrounds or small rendering conditions.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸