Sans Superellipse Derin 1 is a light, wide, monoline, italic, normal x-height font.
Keywords: display, branding, ui labels, headlines, tech packaging, futuristic, technical, sleek, retro sci‑fi, streamlined, tech aesthetic, speed cue, systemic geometry, display clarity, brand distinctiveness, rounded corners, soft square, oblique, extended, open counters.
A monoline oblique sans with a soft-rectangular construction: curves resolve into rounded corners and squarish bowls, giving forms a superellipse feel rather than purely circular geometry. Strokes are clean and uniform with smooth joins and minimal contrast, producing an airy, extended silhouette and generous horizontal rhythm. Counters stay fairly open, terminals are rounded, and many letters use simplified, geometric structures (notably in the squarer C/O/Q and the angular diagonals in K/V/W/X). Figures follow the same rounded-rectangle logic, with a single-storey style for some forms and a compact, technical detailing in 2–3–5.
Best suited to display settings where its extended width and geometric personality can read clearly—headlines, logotypes, tech and gaming branding, product/industrial design packaging, and interface labels or short UI text. It can also work for posters and motion graphics where the oblique slant supports a sense of speed and direction.
The overall tone reads modern and engineered, with a distinctly futuristic, interface-like character. Its rounded-square geometry and steady slant evoke speed and precision while still feeling approachable due to the softened corners. The result balances retro tech cues with contemporary minimalism.
The font appears designed to deliver a coherent techno-geometric voice built from rounded-rectangle primitives, prioritizing a sleek, forward-leaning rhythm and distinctive silhouettes. Its consistent monoline drawing and softened corners suggest an intention to feel modern, efficient, and screen-friendly while retaining a recognizable sci‑fi/retro-tech signature.
The design relies on consistent corner radii and straight-to-curve transitions, creating a cohesive system across letters and numerals. The oblique angle is pronounced enough to imply motion without becoming calligraphic, and the wide set encourages spacious word shapes. Distinctive details—such as the squared Q tail and the simplified, geometric S and G—reinforce a constructed, product-design aesthetic.