Sans Superellipse Keri 2 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Neumatic Gothic' by Arkitype, 'Stallman Round' by Par Défaut, and 'Morozko' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming ui, logos, sporty, techy, assertive, energetic, industrial, impact, speed, compactness, modernity, signage, condensed, oblique, square-rounded, blocky, angular.
A compact, forward-leaning sans with heavy, uniform strokes and rounded-rectangle construction throughout. Counters are tight and often squared-off, with corners softened into superelliptical curves that keep forms sturdy rather than soft. Terminals tend to be flat and decisive, and many joins are sharpened into angled cuts that reinforce the slanted, kinetic rhythm. The overall texture is dense and high-impact, with simplified shapes and minimal interior space, especially in letters like B, P, R, and the numerals.
Best suited to short, high-visibility text such as headlines, posters, titles, team or event branding, and bold logo lockups. It can also work for labels and UI moments in gaming or tech contexts where space is tight and a forceful voice is desired; for longer passages, its dense counters suggest using larger sizes and generous spacing.
The font projects speed and strength, with a distinctly athletic, engineered feel. Its oblique stance and squared rounding evoke motorsport graphics, action branding, and contemporary tech interfaces where urgency and power are part of the message.
The design appears intended as a compact, high-impact display sans that combines squared geometry with rounded corners and a consistent forward lean. Its goal is to deliver immediate presence and a sense of motion while staying clean, modern, and highly reproducible across branding and interface environments.
Round letters such as O and Q read as squarish rounds, and the numeral set follows the same condensed, block-forward logic for cohesive display use. The forward slant is consistent across caps, lowercase, and figures, producing a strong directional flow in headlines.