Sans Other Tese 8 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Swiss 721', 'Swiss 721 Hebrew', and 'Swiss 721 WGL' by Bitstream and 'Europa Grotesk SB' and 'Europa Grotesk SH' by Scangraphic Digital Type Collection (names referenced only for comparison).
Keywords: headlines, posters, branding, tech ui, album art, techy, glitchy, experimental, utilitarian, edgy, deconstruction, digital flavor, distinctiveness, modern utility, stencil-like, segmented, geometric, crisp, high-contrast edges.
A clean, sans-based design with mostly monolinear strokes and straightforward, geometric construction. Many glyphs incorporate deliberate breaks and horizontal “slice” cuts that create a segmented, stencil-like effect, often aligned around the midline. Curves are broadly rounded (notably in C, O, S, and the numerals), while diagonals remain sharp and direct in A, V, W, X, and Z. Spacing and rhythm feel even and modern, with open counters and simple terminals that keep the overall texture readable despite the intentional interruptions.
Well-suited to headlines, posters, and brand marks that want a modern, tech-forward voice with a distinctive twist. It can also work for UI labels, packaging, and editorial callouts where the segmented detailing adds identity without relying on ornament. For longer text, it’s most effective at comfortable sizes where the cut details remain clearly resolved.
The repeated cut-and-splice motif gives the face a digital, glitch-inspired tone—precise and contemporary, with a slightly disruptive, experimental edge. It reads as functional at first glance, then reveals a crafted, deconstructed character that suggests technology, decoding, or industrial labeling.
The design appears intended to take a familiar sans structure and introduce a systematic “interference” pattern—using consistent horizontal cuts to create a contemporary, deconstructed aesthetic while keeping the underlying letterforms straightforward and legible.
The slicing treatment is consistent across cases and numerals, creating a recognizable signature in both display glyphs and running text. The effect is strongest in rounded forms and in letters with long horizontals (E, F, T, Z), where the interruptions read as intentional segmentation rather than damage.