Script Tenuf 15 is a light, narrow, medium contrast, italic, very short x-height font.
Keywords: invitations, greeting cards, branding, packaging, quotes, elegant, romantic, refined, vintage, personal, formal handwriting, decorative initials, personal tone, presentational script, calligraphic, looping, flowing, slanted, delicate.
A delicate, right-slanted script with smooth, continuous stroke flow and restrained contrast. Letterforms are built from thin, tapering lines with teardrop-like terminals and frequent entry/exit strokes that encourage connection in running text. Ascenders are notably tall and looped, while the lowercase bodies stay compact, creating a high ascender-to-x-height ratio and an airy, wiry texture. Counters are open and rounded, and the overall rhythm is lively, with gentle variations in letter width and a graceful baseline movement typical of hand-drawn writing.
Well-suited to invitations, announcements, and greeting cards where an elegant handwritten voice is desired. It also fits boutique branding, labels, and packaging accents, as well as short display lines such as pull quotes or headings. In longer passages, generous line spacing and moderate sizes help preserve clarity of the slender strokes and compact lowercase.
The font conveys a polished, intimate tone—like careful penmanship meant for presentation rather than quick notes. Its looping capitals and slender strokes read as romantic and slightly old-fashioned, lending a sense of charm and ceremony without feeling overly ornate.
The design appears intended to emulate refined, calligraphic handwriting with consistent pen-like movement and presentational flourish. Emphasis is placed on graceful capitals, connective cursive rhythm, and a light, airy texture that prioritizes elegance over utilitarian text reading.
Capitals are especially decorative, with prominent loops and extended swashes that can become a focal point at the start of words or lines. Numerals follow the same handwritten logic, staying light and curving, and the overall spacing feels suited to fluid word shapes rather than rigid, geometric alignment.