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Free for Commercial Use

Wacky Hana 6 is a bold, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, book covers, playful, whimsical, eccentric, theatrical, folksy, expressiveness, quirk, display impact, stylization, distinctiveness, flared serifs, ink-trap cuts, chiseled, wedge terminals, angular curves.


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A decorative serif with heavy, sculpted letterforms and sharp, wedge-like serifs. Strokes show pronounced modulation and frequent carved-in notches that read like ink-traps or cut-outs, creating a segmented, stencil-ish texture without fully breaking the shapes. Curves are tightened and asymmetrically pinched in places (notably in rounded bowls), while verticals and diagonals often flare toward terminals, giving a chiseled, hand-cut impression. Spacing and glyph widths vary noticeably, contributing to an uneven, animated rhythm across words.

Best used for headlines, posters, title treatments, and branding where personality is more important than neutrality. It can add flair to packaging, event materials, or book/album covers that aim for quirky, theatrical, or whimsical storytelling. In longer passages it works most effectively as a short display accent rather than continuous reading text.

The overall tone is mischievous and offbeat, with a slightly gothic–storybook flavor. The cut-in counters and spurred terminals create a dramatic, costume-like presence that feels more like display lettering than a conventional text face. It suggests playful chaos and character, suited to designs that benefit from a deliberately odd, one-of-a-kind voice.

This design appears intended to reinterpret a classic serif structure through exaggerated flares and carved notches, producing a deliberate irregularity and decorative punch. The goal seems to be instant recognizability and visual entertainment—turning familiar letter skeletons into expressive, cut-paper or carved-wood forms.

Rounded letters and numerals feature distinctive internal pinches and teardrop-like counter shaping, which becomes a strong identifying motif in running text. The heavy black mass and sharp interior cuts make the texture lively at large sizes, while smaller sizes may amplify the busyness of the detailing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸