Sans Superellipse Hariz 5 is a bold, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, packaging, branding, logos, friendly, retro, playful, chunky, soft, impact, approachability, retro flavor, compactness, brand distinctiveness, rounded corners, compact, high contrast openings, sturdy, quirky.
A compact, heavy sans with rounded-rectangle construction and broadly monoline strokes. Curves resolve into softened corners rather than true circular bowls, creating a superellipse feel across letters like O, C, and D. Counters are relatively tight and apertures are often pinched or partially closed (notably in e and s), which boosts density and silhouette strength. Terminals are blunt and rounded, with short extenders on many forms and a generally even, blocky rhythm. Numerals follow the same sturdy, rounded geometry, with a particularly solid 0 and a simple, vertical 1.
This font suits bold headlines, poster typography, packaging, and brand marks where a compact, rounded-rectangle aesthetic can stand out. It works well for short bursts of text—titles, labels, and callouts—where its dark color and distinctive apertures create strong recognition. For extended reading, it will typically perform best at larger sizes where counters and tight apertures have room to breathe.
The overall tone is warm and approachable, with a distinctly retro, display-forward personality. Its chunky, softened geometry reads playful and slightly quirky while staying clean and legible at larger sizes. The repeated rounded-corner motif gives it a cohesive, friendly voice that feels more inviting than austere.
The design intention appears to be a characterful, display-centric sans that combines a sturdy monoline build with softened, superelliptical curves. By emphasizing rounded corners, compact proportions, and dense counters, it aims to deliver high impact and a friendly retro flavor while maintaining a clean, contemporary finish.
The design leans on strong silhouettes and interior shapes rather than delicate detail, so texture stays uniform and dark in paragraphs. Some letters show intentionally idiosyncratic shaping—especially in diagonals and joints—which adds character but can increase visual noise at small sizes. Spacing appears comfortable for display settings, with consistent sidebearings that keep words compact without looking cramped.