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Free for Commercial Use

Groovy Itda 5 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Puddy Gum' by Agny Hasya Studio and 'Mianga' by Differentialtype (names referenced only for comparison).

Keywords: posters, headlines, album covers, packaging, event flyers, groovy, playful, funky, retro, bubbly, expressive display, retro flavor, high impact, handmade feel, rounded, soft, blobby, swashy, curvy.


Free for commercial use
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A heavy, rounded display face with swelling, blobby strokes and a consistent rightward slant. Letterforms are built from soft curves and bulb-like terminals, with occasional pinched joins that create a liquid, hand-drawn rhythm. Counters are compact and irregularly shaped, and the overall texture alternates between chunky masses and narrow in-between spaces, giving words a lively, undulating silhouette. The numerals match the same inflated, curvy construction and read best at larger sizes.

Best suited to short, prominent settings such as posters, headlines, album art, and expressive packaging where personality is the priority. It also works well for retro-themed branding, event flyers, and social graphics that benefit from a bold, friendly presence. For longer passages, use larger sizes and comfortable spacing to preserve legibility.

The tone is upbeat and nostalgic, evoking a late-60s/70s poster sensibility with a cheeky, cartoonish warmth. Its wavy shapes feel musical and carefree, lending an informal, expressive voice rather than a strict typographic one. The italic lean adds motion, reinforcing a sense of flow and spontaneity.

The design appears intended to deliver a high-impact, expressive display voice through inflated curves, an energetic slant, and a deliberately irregular, hand-made finish. Its forms prioritize rhythm and character over strict uniformity, aiming for a vintage, groove-forward look that stands out quickly in titles and branding.

In text lines the strong black weight produces a dense color, while the uneven stroke swelling and soft corners keep it from feeling rigid. Some characters rely on distinctive silhouettes rather than open internal space, so clarity improves with generous tracking and ample size. The overall design maintains a cohesive set of rounded terminals and curving strokes across uppercase, lowercase, and figures.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸