Sans Normal Anlet 3 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Luxora Grotesk' by Designova, 'Averta PE' by Intelligent Design, 'Madani' and 'Madani Arabic' by NamelaType, 'Gilroy' by Radomir Tinkov, and 'Segment' by Typekiln (names referenced only for comparison).
Keywords: ui text, product design, editorial, branding, signage, modern, neutral, clean, friendly, practical, versatility, legibility, neutrality, modernity, clarity, geometric, rounded, crisp, open counters, high contrast.
A clean sans with broadly geometric construction and smooth, round curves paired with straight, squared terminals. Stroke weight is even and consistent, with open counters and generous apertures that keep shapes clear at text sizes. The uppercase set reads stable and architectural, while the lowercase introduces a more conversational rhythm with single-storey forms (notably the a and g) and compact, tidy joins. Numerals are straightforward and legible, with simple bowls and minimal ornamentation.
This typeface suits interface and product typography where clarity and consistency are priorities, and it also performs well in editorial settings needing a neutral, readable sans. Its clean geometry and friendly lowercase make it a good fit for contemporary branding systems, wayfinding, and general-purpose display-to-text use when a restrained voice is desired.
The overall tone is modern and matter-of-fact, with a calm, approachable feel. Its geometry and even color give it a contemporary, utilitarian voice that stays out of the way, while the rounded forms keep it from feeling harsh or technical.
The design appears intended as a versatile, modern workhorse sans: geometrically informed, highly legible, and visually even. It aims to provide a clear, neutral foundation for everyday communication while retaining a slightly friendly character through rounded forms and simple lowercase construction.
Across the sample text, the font maintains a steady typographic color and predictable spacing, supporting long lines without visual noise. Round letters (o, c, e) show consistent curvature, and diagonals (v, w, y) are clean and decisive, reinforcing the font’s crisp, contemporary profile.