Sans Superellipse Bodab 3 is a very light, normal width, low contrast, upright, tall x-height font.
Keywords: ui labels, branding, headlines, posters, editorial display, minimal, clean, modern, technical, airy, systematic, modernize, simplify, geometric branding, monoline, geometric, superelliptic, rounded, open.
This is a monoline geometric sans built from rounded-rectangle and superellipse-like curves, with smooth transitions and consistently softened corners. Strokes are thin and even, with largely closed apertures and generous internal counters that keep forms readable despite the light line weight. Rounds (O, C, G, 0, 8) feel squared-off rather than purely circular, while straight-sided characters (E, F, L, T) stay crisp and planar. The lowercase shows simplified, single-storey structures (notably a and g) and a restrained, uncluttered construction; terminals are mostly straight or gently rounded, and the numerals follow the same rounded-square logic.
Well-suited to interface labels, navigation, and product UI where a clean, modern voice is needed, especially at medium-to-large sizes. It also works effectively for contemporary branding, packaging, and headline typography where the superelliptic geometry can become part of the visual identity.
The overall tone is calm, precise, and contemporary, with a subtle tech and interface sensibility. Its thin, disciplined geometry reads refined and understated rather than expressive, lending an architectural, product-oriented feel.
The design appears intended to combine minimalist, monoline construction with a distinctive superellipse-based rounding system, creating a cohesive geometric personality that feels both friendly and technical. The consistent corner treatment and simplified lowercase suggest an emphasis on clarity, rhythm, and a unified system across letters and numerals.
Distinctive details include a square-ish dot on i/j, a compact crossbar on t, and rounded-bottom/rounded-corner treatments on several lowercase forms that reinforce the superelliptic theme. Diagonals (V, W, X, Y) are clean and sharply drawn, adding crisp rhythm against the softer curves.