Sans Faceted Wuso 2 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Kairos Sans' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, apparel, packaging, industrial, athletic, assertive, retro, mechanical, impact, ruggedness, signage, team identity, geometric consistency, chamfered, octagonal, blocky, stencil-like, compact.
A heavy, block-built sans with squared proportions and consistent chamfered corners that replace most curves with straight planar cuts. Strokes are uniform and geometric, producing an octagonal silhouette in bowls and counters; apertures and interior shapes stay tight and rectangular. The texture is dense and rhythmic, with sturdy horizontals and squared terminals; diagonals in letters like K, V, W, X, and Y are straight and steep, keeping the overall structure rigid and architectural. Numerals match the same faceted geometry, reading like cut metal forms with clipped corners and compact counters.
Best suited for short, high-impact settings such as headlines, posters, sports and team branding, apparel graphics, and bold packaging panels. It also works well for labels, wayfinding-style signage, and UI moments that need a rugged, industrial voice, especially when set with ample tracking and clear size hierarchy.
The faceted construction and hard corners project an industrial, tough tone that feels sporty and utilitarian. It suggests machinery, team identity, and high-impact signage rather than softness or refinement, with a hint of retro scoreboard and workwear aesthetics.
The design appears intended to translate a cut-from-plate, chamfered geometry into an all-purpose display sans, prioritizing firmness, legibility at large sizes, and a consistent faceted motif across letters and numbers.
Lowercase forms largely echo the uppercase in weight and geometry, giving the font a more uniform, all-caps-forward personality even in mixed case. The tight counters and strong edge angles create high impact at display sizes, while smaller sizes may need generous spacing to avoid the dark massing typical of this style.