Inline Fipi 2 is a light, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, logos, titles, futuristic, techy, sleek, retro sci‑fi, aerodynamic, sci‑fi styling, tech branding, display impact, interface tone, rounded, geometric, monoline, open apertures, outlined.
A rounded, geometric sans with streamlined, squared-off curves and generous horizontal proportions. Letterforms are drawn with double-line construction that creates an inset inline channel, giving strokes a hollow, technical look while keeping an even, low-contrast rhythm. Corners are softened rather than sharply chamfered, and many terminals resolve into flat, horizontal or vertical cuts for a clean, engineered finish. The design reads as monoline at a distance, with the interior detailing adding structure and a sense of depth, especially in bowls and counters.
Best suited to display applications such as headlines, posters, title cards, and brand marks where the inline detailing can be appreciated. It also fits UI-inspired graphics, tech event collateral, album/film titles, and packaging where a futuristic or retro-electronic mood is desired.
The overall tone feels futuristic and precision-made, with strong cues from retro sci‑fi interfaces and industrial labeling. The inline detailing suggests circuitry, neon tubing, or engraved signage, creating a sleek, slightly theatrical presence without becoming ornamental.
The design appears intended to blend a clean geometric skeleton with an engineered inline effect, producing a contemporary display face that nods to vintage sci‑fi typography. Its wide stance and consistent inner detailing prioritize visual identity and atmosphere in prominent, large-format settings.
The internal channeling is consistently applied across capitals, lowercase, and numerals, which helps the font maintain a cohesive voice in longer text samples. Wide forms and open shapes enhance clarity in large settings, while the fine interior linework may become visually busy at very small sizes. Numerals and capitals have a display-forward stance, with rounded figures and broad proportions that favor impact over economy.