Sans Superellipse Umha 2 is a very bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, logos, packaging, techno, futuristic, industrial, playful, impact, modernity, tech feel, display use, rounded, squared, geometric, compact, low-contrast.
A heavy, geometric sans built from rounded-rectangle and superellipse-like contours, with soft corners and broad, uniform strokes. Curves and straight segments blend into squared bowls and boxy counters, producing a clean, engineered silhouette with minimal contrast. Openings and terminals are typically blunt and horizontal, while interior shapes often read as rounded squares, giving letters a compact, modular rhythm. The lowercase maintains a sturdy, mechanical feel (notably in the arched m/n and the wide, squared o), and the numerals echo the same closed, rounded-rect geometry for a cohesive set.
Best suited to headlines, display typography, and bold branding where its geometric, rounded-rect construction can set a strong tone. It works well for tech products, gaming and sci‑fi themed graphics, packaging, and signage that benefits from high visual impact. For extended reading, it’s more effective in short bursts or as a supporting display style rather than body text.
The overall tone feels tech-forward and synthetic, like interface lettering or sci‑fi hardware labeling. Its rounded corners keep it friendly and approachable, while the squared construction and dense strokes push it toward an industrial, futuristic voice. The look is confident and attention-grabbing rather than subtle.
The design appears intended to deliver a modern, modular sans with softened corners—combining a machine-made, UI-like precision with a friendly, rounded finish. Its consistent stroke treatment and squared counters suggest a focus on clear, iconic lettershapes that hold up in bold, graphic applications.
At larger sizes the distinctive squared counters and flattened horizontals become a key identifying feature, while in longer text the dense weight and compact apertures can feel visually busy. The design reads best when allowed generous spacing and clear hierarchy, where its blocky rhythm becomes an asset rather than a constraint.