Solid Weby 2 is a very bold, wide, high contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, packaging, title cards, playful, chunky, retro, cartoon, loud, attention-grab, novelty display, poster impact, brand voice, cutout motif, blocky, bulbous, stencil-like, cutout, geometric.
A heavy, compact display face built from chunky geometric masses with frequent internal cut-ins and occluded counters. Forms lean on circles and rounded rectangles, but are interrupted by flat notches, rectangular apertures, and occasional “bite” shapes that create a cutout/stencil effect. Counters in letters like a, b, d, e, o and g appear partially collapsed into small, high-positioned openings, while many joins are abrupt and angular, giving a crafted, pieced-together rhythm. The texture is dense and inky with short horizontal breaks appearing in several glyphs, producing a distinctive, mechanical patchwork consistency across caps, lowercase, and numerals.
Best suited to posters, splashy headlines, title cards, and branding moments where a compact, high-impact wordmark is needed. It can work well on packaging, stickers, and event graphics where bold silhouettes and distinctive interior cutouts help the type stand out. For longest readability, it performs strongest at display sizes where the small counters and internal breaks remain clearly visible.
The overall tone is loud and comedic, with a toy-like solidity that reads as retro display rather than utilitarian text. The cutout counters and notched terminals add a mischievous, slightly industrial feel—somewhere between playful signage and a stylized, puzzle-piece construction. It feels intentionally attention-seeking and characterful, prioritizing impact over neutrality.
The design appears intended to deliver maximum visual punch through solid silhouettes while injecting personality via intentionally reduced counters and repeated cutout motifs. By mixing rounded bowls with abrupt notches and internal breaks, it aims for a memorable, novelty display voice that feels like constructed lettering rather than a conventional sans.
Round letters (O/Q/0/8/9) emphasize a distinctive “eye” counter placed toward the upper-left, which becomes a strong identifying motif. The lowercase is highly stylized (notably a, g, e, s) and may read more like custom lettering than conventional book typography at smaller sizes. Numerals maintain the same occluded-counter logic, with simplified internal shapes and bold silhouettes designed to hold up in large, high-contrast applications.