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Sans Other Ibbi 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Benn Beckman' by Factory738, 'Lemon Milk Pro' by Marsnev, 'Madera' by Monotype, and 'Gravita' by TipoType (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, labels, industrial, tech, retro, stencil, signage, display impact, stencil motif, tech flavor, brand distinctiveness, geometric, modular, notched, segmented, high impact.


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A heavy geometric sans with largely circular bowls and straight-sided stems, built from simplified, modular shapes. Many glyphs feature deliberate breaks and horizontal notches that read like stencil bridges or cutouts, creating a segmented, engineered look. Curves are broad and smooth, terminals are mostly flat, and diagonals (as in A, V, W, X, Y) are sharp and clean, producing a bold, graphic rhythm. The overall color is dense, but the recurring interior gaps and midline slits add pattern and differentiation, especially in round letters and numerals.

Well-suited to display applications where its segmented geometry can read clearly and add character—headlines, posters, event graphics, packaging, product labels, and bold brand marks. It also fits UI or tech-themed graphics when used large enough for the internal breaks to remain distinct.

The font conveys a mechanical, industrial tone with a distinctly retro-futurist flavor—part factory stencil, part sci‑fi interface. The repeated cutlines introduce a coded, technical feel that suggests machinery, labeling, or constructed lettering rather than handwritten or humanist warmth.

The design appears intended to reinterpret a geometric sans through a stencil-like, cut-and-assembled construction, using consistent notches to create a recognizable system across letters and numbers. The goal seems to be maximum visual impact and a distinctive industrial/tech identity while retaining straightforward, sans-based proportions.

The distinctive midline interruptions are especially prominent in rounded forms (C, G, O, Q and several numerals), where the breaks become a signature motif and a strong branding cue. In longer text the internal cutouts create a consistent texture that is eye-catching at display sizes, while the density of the shapes suggests best performance in headlines rather than small, continuous reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸