Sans Superellipse Alreg 2 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: ui design, product labeling, wayfinding, tech branding, headlines, tech, futuristic, clean, structured, modern, system aesthetic, modernization, clarity, grid fit, square-round, modular, geometric, rounded corners, low contrast.
A geometric sans built from rounded-rectangle (superellipse-like) forms with consistent, monoline strokes and gently softened corners. Curves are squared-off rather than circular, producing a compact, engineered rhythm in both caps and lowercase. Counters tend to be rectangular with rounded corners, apertures are controlled and fairly closed, and terminals are mostly straight-cut with subtle rounding. Diagonals (A, V, W, X, Y) stay crisp against the otherwise squarish curves, and the numerals follow the same rounded-rect construction for a cohesive, system-like texture.
Well-suited for interface typography, dashboards, and on-screen labels where a crisp, modern texture is desirable. It also fits product markings, packaging, and signage systems that benefit from a modular, engineered look, and it can serve as a distinctive headline face for technology-leaning brands or editorial sections.
The overall tone reads as technical and forward-looking, with a calm, utilitarian voice. Its rounded-square geometry suggests digital interfaces, industrial labeling, and modern hardware aesthetics more than humanist warmth.
The design appears intended to deliver a contemporary, tech-oriented sans with a unified rounded-rectangle skeleton, prioritizing consistency and a clean mechanical rhythm. Its controlled curves and uniform stroke treatment aim for a recognizable system aesthetic that remains legible across short text and display settings.
Distinctive superelliptical bowls in letters like O, Q, C, G and in figures like 0, 6, 8, 9 create a consistent “soft square” silhouette across the set. The sample text shows even color and steady spacing, with a slightly condensed, grid-friendly feel that favors clarity and uniformity over expressive calligraphic modulation.