Print Obdov 3 is a bold, normal width, medium contrast, italic, normal x-height font.
Keywords: posters, headlines, packaging, social graphics, stickers, playful, energetic, casual, expressive, boldly brushed, handmade feel, friendly impact, dynamic emphasis, casual branding, brush texture, brushy, textured, rounded, bouncy, markerlike.
A slanted, brush-pen style with thick, rounded strokes and visible stroke texture that suggests dry-brush or marker drag. Letterforms are mostly monoline in feel but show subtle swelling and tapering at joins and terminals, with occasional rough edges and slight overstroke artifacts. Proportions are lively and irregular by design: widths vary notably across glyphs, curves are generous, and counters tend to be open and soft. Spacing appears naturally uneven in a way that reinforces an organic, handwritten rhythm while remaining legible at display sizes.
Best suited to short, attention-grabbing text such as posters, titles, packaging callouts, and social media graphics where texture and gesture can carry personality. It also works well for informal branding accents, labels, and sticker-style designs that benefit from a hand-lettered look. For long passages or small sizes, the brush texture and variable spacing may feel busy compared to cleaner text faces.
The font reads as upbeat and informal, with a confident, hand-drawn attitude. Its brisk slant and brushy texture give it a spirited, spontaneous tone that feels friendly rather than formal. Overall, it suggests quick signage or personal lettering with an energetic, contemporary feel.
The design appears intended to emulate quick brush lettering with a consistent, repeatable set of glyphs—capturing the spontaneity of hand-drawn strokes while staying readable across mixed-case copy. The slant, rounded forms, and textured stroke edges aim to add motion and human character to display typography.
Uppercase forms are compact and punchy, while lowercase includes simple, handwritten constructions with single-storey shapes and looping strokes in letters like g and y. Numerals are similarly brush-rendered and slightly idiosyncratic, matching the textured stroke behavior seen in the alphabet. The texture and irregularities will become more pronounced at larger sizes, where the brush artifacts read as a deliberate stylistic feature.