Print Fugiz 10 is a very bold, narrow, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, stickers, social graphics, playful, handmade, bold, casual, lively, handmade feel, high impact, casual tone, expressive texture, brushy, rough-edged, chunky, rounded, textured.
A chunky, brush-like handwritten print with heavy strokes and visibly irregular edges. Letterforms are compact and slightly condensed, with rounded terminals, soft corners, and occasional ink-like wobble that gives each glyph a drawn-by-hand feel. Stroke endings often look blunted or smeared, and counters are small but generally open enough to hold together at display sizes. Widths and shapes vary noticeably between glyphs, creating an energetic rhythm rather than strict uniformity.
Best suited for display applications where texture and personality are assets: posters, flyers, product packaging, labels, stickers, and social media graphics. It works well for short bursts of text—titles, callouts, or emphasis lines—where its bold, brushy presence can carry the layout without needing fine detail.
The font conveys an informal, expressive tone—like quick marker lettering or a loaded paintbrush—balancing friendliness with a punchy, attention-grabbing presence. Its rough texture and uneven stroke behavior feel spontaneous and human, lending a playful, crafty character to headlines and short messages.
Likely designed to mimic quick, confident hand lettering made with a marker or brush, prioritizing impact and warmth over strict regularity. The goal appears to be an approachable, tactile look with enough consistency to function as a full alphabet while retaining visible human variation.
Uppercase and lowercase share a consistent hand-drawn texture, with simple, print-style construction and minimal flourish. Numerals are bold and rounded with the same uneven edges, matching the alphabet well. The overall color on the page is dense and dark, with subtle variations in stroke thickness that read as natural pressure changes rather than geometric contrast.