Script Nubuf 8 is a bold, very narrow, low contrast, italic, short x-height font.
Keywords: logos, branding, headlines, invitations, packaging, classic, elegant, friendly, retro, confident, hand-lettered look, signature feel, decorative caps, display clarity, vintage flavor, brushy, swashy, looped, slanted, rounded.
A slanted, brush-pen script with compact proportions and a rhythmic, forward-leaning cadence. Strokes are smooth and rounded with subtle tapering at entries and exits, and many letters feature looped bowls and small, controlled flourishes. Uppercase forms are more ornate and display-like, with prominent swashes and curled terminals, while lowercase letters stay relatively compact with simplified joins and a tight, even texture in words. Numerals follow the same handwritten logic, with soft curves and consistent stroke weight that keeps the set visually unified.
Well-suited for logos, wordmarks, and short headlines where its brush-script character and ornate capitals can carry the design. It also fits invitations, greeting cards, and boutique packaging that benefit from a handwritten, signature-style accent. For best results, use it for titles, names, and emphasized phrases rather than dense body text.
The overall tone feels polished and personable—formal enough for classic, celebratory messaging, yet relaxed in a way that reads approachable rather than stiff. Its swashes and brush movement add a touch of vintage charm and a confident, signature-like presence.
The design appears intended to emulate confident, hand-lettered brush writing with refined swashes—balancing decorative uppercase flair with a more restrained lowercase for practical word setting. The consistent stroke behavior and rounded terminals suggest an aim toward smooth, reproducible lettering with a classic, display-friendly finish.
Capitals can become visually dominant due to their larger loops and extended terminals, making mixed-case setting feel lively and expressive. The texture is strongest at medium-to-large sizes where the curves, joins, and swashes have room to breathe; in longer lines, spacing and capital frequency will strongly influence perceived clarity.