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Sans Superellipse Horij 8 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Dexa Pro' and 'Nicomedia' by Artegra, 'Kaisar' by Hazztype, 'Absalon' by Michael Nordstrom Kjaer, and 'RBNo3.1' by René Bieder (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, punchy, playful, impact, approachability, clarity, modernity, rounded, soft corners, blocky, geometric, compact counters.


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A heavy, geometric sans with rounded-rectangle construction and softened corners throughout. Strokes are monolinear with broad proportions and a sturdy, compact fit, producing large interior counters that stay open even at very heavy weight. Curves tend toward squarish bowls and superelliptical rounds, while joins and terminals read clean and engineered rather than calligraphic. Numerals follow the same blocky, rounded logic, with simple, highly legible shapes and minimal modulation.

Best suited for display settings where impact and clarity are priorities—headlines, posters, brand marks, packaging, and bold UI moments. Its rounded geometry and strong presence also work well for signage and short-form copy where readability at a glance matters. In longer passages, it will read as emphatic and attention-grabbing rather than neutral.

The overall tone is bold and self-assured, with a friendly, contemporary softness coming from the rounded geometry. It feels energetic and approachable rather than formal, making text look punchy and attention-forward. The squared curves add a slightly tech and industrial flavor without becoming cold.

The likely intention is a highly legible, modern display sans built from superelliptical forms—combining strong, blocky structure with softened corners for approachability. It aims to deliver maximum presence and consistency across letters and numbers while keeping counters open and shapes simple for reliable reproduction at large sizes.

The design keeps a consistent rhythm across uppercase and lowercase, with clear differentiation in key forms (e.g., open apertures and sturdy verticals) that supports quick recognition. Round characters lean more rectangular than circular, which helps maintain a stable, grid-like texture in lines of text. The heavy weight benefits from generous counters and simplified details that avoid clogging.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸