Sans Superellipse Pidur 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Augment' and 'Blanco' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, signage, retro, playful, punchy, friendly, poster, space saving, high impact, friendly modernism, brandable display, rounded, condensed, soft corners, monoline, compact.
A compact, condensed sans with heavy monoline strokes and consistently rounded-rectangle construction. Curves resolve into soft, squared terminals, giving counters and bowls a superellipse feel rather than circular geometry. The rhythm is tight and vertical, with tall, narrow capitals and sturdy, simplified joins; shoulders and apertures are generally closed to semi-open, emphasizing mass and solidity. Lowercase forms keep a straightforward, utilitarian structure, with single-storey shapes where applicable and short, rounded crossbars and arms that reinforce the blocky silhouette.
Best suited to display contexts where dense, high-impact letterforms are an asset—posters, headlines, branding marks, packaging panels, and short signage. It can also work for tight UI labels or badges when space is limited, provided sizes and spacing are tuned to maintain clarity.
The overall tone is bold and approachable, combining a mid‑century, sign-lettering charm with a contemporary, softened industrial feel. Its rounded corners and compact proportions read friendly and playful, while the dense color and strong verticality keep it confident and attention-grabbing.
Likely designed to deliver maximum presence in a compact width while preserving a warm, rounded personality. The superelliptical curves and blunt terminals suggest an aim for strong, reproducible shapes that hold up in bold applications like titles, marks, and printed graphics.
Numbers and punctuation match the same rounded-rectilinear logic, producing a cohesive, stamped/letterpress-like texture when set in lines. At text sizes the narrow forms create a dark, continuous typographic color, while larger sizes reveal the distinctive squared curves and chunky terminals most clearly.