Sans Faceted Rabu 2 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: display, posters, game ui, logos, headlines, runic, angular, enigmatic, bold, fantasy, inscriptional feel, thematic branding, display impact, stylized legibility, triangular, chiseled, geometric, high-contrast forms, diamond counters.
This typeface is built from straight strokes and sharp corners, replacing curves with crisp planar cuts and triangular joins. Strokes keep a largely even thickness, while terminals often end in points, wedges, or hard diagonal chops. Many bowls and counters become diamond or triangular apertures, giving letters a faceted, cut-from-metal look with strong interior negative shapes. Proportions feel slightly condensed in places and more open in others, with a lively, irregular rhythm that stays consistent through repeated use of the same angular modules.
Best suited to display settings where the faceted construction can be appreciated: titles, posters, album art, fantasy or sci‑fi branding, and game/UI headers. It can also work for short emphatic labels or logo wordmarks where a runic, carved aesthetic is desired, rather than extended reading.
The overall tone is cryptic and ritualistic, evoking carved inscriptions, fantasy iconography, and game-world signage. Its aggressive angles and emblem-like silhouettes read as assertive and dramatic, with an intentionally stylized, coded quality that prioritizes atmosphere over neutrality.
The design appears intended to translate inscriptional, rune-like letterforms into a consistent geometric system, using repeated wedges and diamond counters to create a coherent, emblematic texture. The goal seems to be high visual character and thematic signaling—an encoded, carved feel—while keeping a straightforward, sans-like skeleton for recognizability.
In the text sample, the distinctive internal diamonds and wedge-like diagonals create strong texture at word level, especially in mixed case. The design’s frequent sharp diagonals can reduce clarity at smaller sizes, while at larger sizes the faceting becomes a defining graphic feature. Numerals echo the same carved geometry, maintaining the same pointed construction and angular counters.