Sans Contrasted Inha 6 is a bold, wide, very high contrast, upright, short x-height font.
Keywords: posters, headlines, logotypes, packaging, signage, art deco, theatrical, vintage, stylized, architectural, deco revival, display impact, branding, retro glamour, geometric, inline cuts, stencil-like, monoline hairlines, high-waist crossbars.
A geometric, display-oriented sans with dramatic internal cut-ins that create an inline/stencil effect. Letterforms are built from broad vertical masses paired with very thin connecting strokes, producing strong light–dark rhythm and crisp, poster-like silhouettes. Counters tend to be tight and often partially closed by the internal bars, while curves are clean and near-circular in characters like O/C/G, contrasted by flat terminals and straight-sided stems. Uppercase proportions feel tall and commanding; lowercase is compact with simplified bowls and minimal interior space, and numerals echo the same split-stroke construction for a cohesive, graphic set.
Best suited to large-scale applications where its split-stroke detailing can be appreciated: posters, editorial headlines, event branding, storefront or wayfinding signage, and distinctive logotype work. It can also add period flavor to packaging and title cards when used with generous size and spacing.
The font projects a distinctly Art Deco and cabaret-era sensibility—sleek, glamorous, and slightly enigmatic. Its sharp contrast and segmented construction give it a dramatic, marquee-ready presence that feels cinematic and fashion-forward rather than utilitarian.
Likely designed to evoke early-20th-century modernism through geometric construction and high-contrast segmentation, prioritizing impact and recognizable texture over continuous text readability. The consistent inline cut motif across caps, lowercase, and numerals suggests an emphasis on branding cohesion and strong graphic identity.
The signature internal vertical cuts can reduce clarity at smaller sizes, especially in dense text, but they create a memorable texture in headlines. Round letters maintain consistent geometry, while diagonals (V/W/X/Y/Z) read as bold graphic wedges that reinforce the display character.