Sans Superellipse Udmid 1 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'CF Blast Gothic' by Fonts.GR, 'Peridot Latin' and 'Peridot PE' by Foundry5, 'Tempo LT' by Linotype, 'Fact' by ParaType, and 'Anafiola' by Sensatype Studio (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, energetic, assertive, modern, dynamic, impact, speed, modernity, compactness, emphasis, oblique, rounded, compact, punchy, tightly spaced.
A compact, oblique sans with heavy, uniform strokes and rounded, superellipse-like curves. The letterforms are tightly fit with a tall, condensed stance and smooth, continuous contours, giving counters a rounded-rectangular feel. Terminals are clean and largely blunt, with occasional subtle softening that keeps the texture cohesive in both caps and lowercase. Numerals follow the same dense, forward-leaning rhythm, maintaining strong color and consistent stroke weight across the set.
Best suited for headlines, posters, and branding where a strong, energetic voice is needed. It works well for sports and fitness identities, product packaging, and promotional graphics that benefit from dense, forward motion. In text settings, it performs most convincingly at larger sizes where the rounded counters and compact spacing remain clear.
The overall tone is fast and forceful, with a forward-leaning posture that reads as active and competitive. Its rounded geometry keeps the impact friendly rather than aggressive, balancing strength with approachability. The dense rhythm and steady stroke weight create a confident, no-nonsense voice suited to bold messaging.
The likely intention is to deliver maximum impact in a streamlined, modern silhouette—combining bold presence with rounded geometry to stay readable and contemporary. The oblique construction and condensed proportions appear designed to imply speed and momentum while keeping forms consistent across letters and numerals.
The design emphasizes strong word-shapes and continuous flow in longer lines, producing a dark, even typographic color. Wide apertures are limited by the compact construction, so the style favors impact over delicacy, especially at smaller sizes or in tight layouts.