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Free for Commercial Use

Blackletter Poma 2 is a bold, normal width, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, book covers, certificates, branding, medieval, ceremonial, authoritative, traditional, dramatic, historical evocation, ornamental display, gothic atmosphere, manuscript flavor, ornate, angular, calligraphic, compact, ink-like.


Free for commercial use
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This typeface features dense, blackletter-inspired construction with angular joins, broken curves, and pointed terminals. Strokes appear inked and calligraphic, with noticeable swelling and tapering through curves and at stroke endings, giving the letters a chiseled-yet-fluid rhythm. Uppercase forms are highly decorative with prominent spurs and inner counters, while the lowercase is more compact and text-like, maintaining strong vertical emphasis and tight apertures. Numerals follow the same blackletter logic, using bold, rounded bodies with sharp hooks and small finishing flicks.

Best suited for display contexts such as headlines, posters, book or album covers, and branding that calls for a historical or gothic voice. It can also support ornamental uses like certificates, invitations, labels, and packaging where a dense, traditional texture is desirable.

The overall tone is medieval and ceremonial, evoking manuscripts, heraldry, and formal proclamations. It carries an authoritative, traditional presence with a dramatic, gothic flavor that reads as historical and craft-driven rather than modern and minimal.

The design appears intended to deliver a classic blackletter look with emphatic vertical structure and decorative capitals, balancing manuscript-like calligraphy with sturdy, print-oriented shapes. The goal seems to be strong atmosphere and recognizable period character, optimized for impactful titles and short statements.

In paragraph settings the texture is dark and continuous, with strong vertical rhythm and relatively small internal openings that create a woven, patterned color on the page. Capital letters visually dominate and work well as display initials, while the lowercase maintains a steady, compact cadence suited to short runs of text when size and spacing are generous.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸