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Solid Otba 9 is a very bold, narrow, low contrast, reverse italic, tall x-height font visually similar to 'New Roshelyn Script' by Get Studio (names referenced only for comparison).

Keywords: posters, headlines, packaging, logo marks, stickers, playful, quirky, cartoonish, chaotic, chunky, attention grabbing, playful branding, comic titling, texture forward, blobby, irregular, soft-edged, tilted, compressed.


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A dense, black, tightly packed display face built from chunky, blobby silhouettes with irregular, chiseled-looking edges. Letterforms lean backward with a consistently skewed stance, while counters are largely collapsed, turning many characters into solid masses. The overall rhythm is compressed and uneven, with variable interior shaping that creates a lumpy, organic texture across words. Curves dominate, but they’re interrupted by abrupt flats and notches, giving the outlines a cutout, hand-formed feel rather than a geometric construction.

Best suited for large-scale headlines, posters, packaging callouts, and short, punchy phrases where the mass and texture can be appreciated. It can also work for playful logos or badge-like wordmarks, particularly when given extra tracking and ample whitespace. It is less appropriate for long passages or small UI text due to the collapsed interiors and heavy visual density.

The tone is mischievous and offbeat—more like a cartoon sound effect or playful sticker lettering than conventional typography. Its heavy, shadowless silhouettes feel loud and attention-grabbing, with a deliberately messy personality that reads as humorous and informal.

The design appears intended to maximize impact through solid, counterless forms and a deliberately irregular outline, trading legibility for personality. The backward slant and lumpy, cutout-like contours suggest a novelty display purpose aimed at playful, informal branding and attention-grabbing titling.

In text settings the dense silhouettes cause letters to visually merge, especially in smaller sizes or tight tracking, so separation relies on generous spacing and scale. Numerals and capitals carry the same swollen, irregular logic, maintaining a consistent “blob” texture across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸