Script Nuder 2 is a bold, very narrow, medium contrast, italic, short x-height font.
Keywords: branding, headlines, packaging, posters, invitations, friendly, retro, casual, lively, warm, handmade feel, expressive display, signature style, retro signage, brushy, rounded, looped, bouncy, calligraphic.
A slanted, brush-script style with rounded forms and tapered terminals that suggest pressure-driven strokes. Letter shapes are compact and slightly condensed, with smooth curves, occasional loops, and a soft, inked edge rather than rigid geometry. The lowercase shows a modest x-height with tall ascenders and deep descenders, and the overall rhythm alternates between tight counters and open swashes for an energetic, handwritten flow. Numerals follow the same brush-like construction, keeping a consistent forward motion and weight distribution.
Best suited to short-to-medium display settings where the brush texture and forward slant can carry personality—logos, product packaging, café or boutique signage, social graphics, posters, and invitations. It can work for emphasis within text, but longer passages will benefit from larger sizes and generous line spacing to maintain clarity.
The font reads as upbeat and personable, with a nostalgic sign-painting feel. Its flowing strokes and soft curves create an inviting, informal tone that feels expressive without becoming overly ornate. Overall it conveys charm and approachability, suited to messages meant to feel human and upbeat.
The design appears intended to capture the look of quick, confident brush lettering with a polished consistency. It balances legibility with expressive movement, aiming for a handcrafted signature feel that remains cohesive across uppercase, lowercase, and numerals.
Uppercase letters lean toward simplified script capitals with gentle entry/exit strokes and occasional interior curls (notably in forms like B, D, and R). Spacing in text appears relatively tight, and the strong slant and dense stroke color make it most effective when given room to breathe, especially in longer lines.