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Sans Contrasted Erry 8 is a very bold, very wide, high contrast, italic, tall x-height font visually similar to 'Logopedia Next', 'Logopedia Next Rounded', and 'Logopedia Now Rounded' by Bülent Yüksel (names referenced only for comparison).

Keywords: sports branding, racing graphics, gaming titles, tech packaging, posters, futuristic, racing, techno, sporty, aggressive, speed emphasis, tech aesthetic, display impact, brand distinctiveness, slanted, angular, rounded corners, streamlined, compact counters.


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A slanted, angular sans with heavy, sculpted strokes and clear internal cut-ins that create a carved, high-energy rhythm. Forms are wide and low-contrast in silhouette but show pronounced stroke modulation through sharp joins, tapered terminals, and inset counters, giving a machined, aerodynamic feel. Corners are broadly rounded, apertures are tight, and many bowls and diagonals resolve into wedge-like endings that emphasize forward motion. The x-height reads tall and sturdy, with compact internal spaces that keep word shapes dense and punchy at display sizes.

Best suited to display applications where impact and motion are desired: sports or esports identities, racing and automotive graphics, game titles, tech-forward packaging, and attention-grabbing posters or headers. It can work for short bursts of text—taglines, UI headings, labels—where its dense counters and stylized cuts remain clear.

The overall tone is fast, engineered, and performance-oriented—evoking motorsport graphics, sci‑fi interfaces, and athletic branding. Its oblique stance and chiseled detailing add urgency and impact, making text feel assertive and kinetic rather than neutral or conversational.

The design appears intended to deliver a bold, speed-driven aesthetic using oblique construction, wide proportions, and carved interior detailing to build a distinctive, industrial voice. It prioritizes visual punch and a cohesive futuristic texture over conventional text neutrality.

Distinctive stencil-like notches and inlined negative spaces appear across many glyphs, creating strong texture in longer settings. Numerals and capitals share the same streamlined geometry, producing a cohesive, logo-ready voice, though the tight counters suggest it will look best with generous size and spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸