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Sans Other Unto 1 is a regular weight, narrow, low contrast, upright, normal x-height font.

Keywords: signage, labels, posters, titles, branding, industrial, stenciled, technical, utilitarian, mechanical, stencil system, industrial voice, technical labeling, distinct texture, rounded corners, monoline, segmented, modular, open apertures.


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A compact, monoline sans with rounded terminals and a distinctly segmented, stencil-like construction. Many strokes are interrupted by consistent horizontal breaks that create a modular rhythm across the alphabet, while counters stay fairly open and geometric. Curves (C, G, S, 0, 3) are built from smooth arcs but still inherit the cut-through bars, and diagonals (K, V, W, X, Y) remain clean and simplified. Overall spacing and proportions favor a tight, economical footprint with steady stroke width and minimal contrast.

Well-suited for short to medium-length settings where a distinctive industrial texture is desired: signage, wayfinding-style graphics, product labels, packaging, posters, and title treatments. It can also work for brand marks or UI accents where a technical, stenciled voice is appropriate, but the repeated breaks may be visually busy for long continuous reading.

The repeating cut-outs give the face a mechanical, engineered feel—more like labeling and equipment marking than traditional editorial typography. It reads as practical and slightly futuristic, with an industrial/stencil mood that suggests manufacture, transport, or technical systems.

The design appears intended to merge a clean rounded sans skeleton with a consistent stencil segmentation, creating a functional, machine-made aesthetic while preserving legibility. The modular breaks suggest an emphasis on reproducible forms and a recognizable texture across both uppercase and lowercase.

The consistent horizontal gaps become a strong identifying motif at text sizes, producing a distinctive texture line-to-line. Numerals and round forms emphasize the segmented construction particularly clearly, reinforcing the sense of a designed system rather than handwritten or calligraphic influence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸