Script Adrif 10 is a regular weight, very narrow, very high contrast, upright, very short x-height font.
Keywords: invitations, branding, logotypes, greeting cards, headlines, elegant, whimsical, handcrafted, refined, romantic, modern calligraphy, personal warmth, decorative caps, signature style, display focus, looped, monoline feel, calligraphic, tall ascenders, bouncy baseline.
A tall, handwritten script with an upright stance and a lively, uneven rhythm. Strokes swing between hairline thins and heavier downstrokes, creating a crisp calligraphic contrast, while terminals often taper to fine points. Letterforms are generally narrow and vertically oriented, with frequent loops in capitals and in letters like g, y, and j; several capitals also show subtle entry/exit swashes. Lowercase shapes lean on simple, open counters and long ascenders/descenders, and connections appear intermittent—some letters link smoothly while others break for a more hand-drawn texture. Numerals follow the same pen-like construction, staying slender with light curves and occasional flourish.
Well suited to wedding and event invitations, beauty or lifestyle branding, packaging accents, and greeting cards where a handwritten signature-like voice is desired. It performs best for headlines, short phrases, and pull quotes, and can also work for small doses of emphasis in longer layouts when set with generous tracking and line spacing.
The overall tone is graceful and slightly playful, like neat modern calligraphy written with a flexible pen. It feels personable and boutique-minded rather than formal book typography, balancing elegance with an easy, human warmth.
Likely designed to mimic contemporary hand-lettered calligraphy: tall, narrow letterforms, pronounced thick–thin movement, and occasional flourishes that add personality without becoming overly ornate. The mixed connectivity and irregular rhythm suggest an intentional handmade character aimed at expressive display use.
The tight, vertical proportions and high stroke contrast make spacing and word shapes feel delicate; the font reads best when given breathing room. Capitals are especially expressive and can become the primary decorative element in short lines.