Sans Rounded Tibu 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Oktah Round' by Groteskly Yours, 'Duplet Rounded' by Indian Type Foundry, 'Linotte' by JCFonts, 'Cobbler Sans' by Juri Zaech, and 'Mohr Rounded' by Latinotype (names referenced only for comparison).
Keywords: headlines, posters, packaging, kids, stickers, playful, friendly, bubbly, casual, youthful, approachability, high impact, playfulness, informality, visibility, soft, chunky, rounded, bouncy, cartoonish.
A heavy, rounded sans with plump strokes and fully softened terminals throughout. Counters are generous and often close to circular (notably in O, o, 0, and 8), while joins and corners are eased into bulb-like curves rather than sharp angles. The design shows a slightly bouncy rhythm and subtle irregularity in widths and shaping, giving it a hand-drawn, organic feel despite its solid, uniform stroke color. Ascenders are tall and simple, dots are round and prominent, and overall spacing reads open enough to keep the dense letterforms from clogging at display sizes.
Best suited for short to medium display settings where personality and impact matter: headlines, posters, product packaging, and playful branding. It also works well for children-oriented materials, social graphics, and bold UI labels where a friendly, rounded voice is desired and fine detail is not required.
The font projects a cheerful, approachable tone with a toy-like, cartoon warmth. Its inflated shapes and rounded endings feel informal and welcoming, leaning toward fun and lighthearted communication rather than technical or corporate seriousness.
The design appears intended to deliver maximum friendliness and visibility through inflated forms, soft terminals, and simple, high-recognition letter shapes. It prioritizes charm and bold presence over strict geometric rigidity, aiming for an inviting, contemporary cartoon-display look.
Distinctive roundness appears consistently across straight-sided letters, where verticals and horizontals end in pill-like caps. Some glyphs lean toward single-storey simplicity (such as the lowercase a), reinforcing an easy, friendly reading pattern. Numerals follow the same inflated geometry, with strong, recognizable silhouettes suited to bold callouts.